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Stupa as a Universal Symbol of Enlightenment The stupa is a sacred architectural form that appears throughout Buddhist traditions. While its origins trace back to ancient burial mounds, the stupa has evolved into a universal symbol of enlightenment—representing the journey from material existence to spiritual realization. Its design is intentional; every element is imbued with meaning, guiding practitioners along their inner path. More than mere monuments, stupas function as spiritual diagrams. They embody the structure of consciousness and the process of awakening, inviting us to meditate on unity, transformation, and the integration of body, mind, and spirit.

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There are many ways to view the need for greater harmony in the world. One way is in terms of greater cooperation amongst people and nations, such as through the work of the United Nations. Another way is through respect for other religions and paths to God, born of insight and understanding, such as through the World Parliament of Religions and the worldwide Ecumentical movement. Yet another, is through the sharing of knowledge between the world's scientists in their search for truth in their effort to solve world problems. With Triangles, a new way has now been offered to humanity, working more esoterically and subjectively, through the visualization of triangles of light that can revolutionize human consciousness and allow the newer relationships within our planetary life to manifest and meet evolving world needs.

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What I want to explore in this talk is why it is that three, or triplicity, is playing such an important role in our lives – whether we are aware of it or not.

I also want to draw a parallel between science and art both in the broadest sense of these terms. Please keep in mind that the Tibetan reminds us that not all artists are fourth Ray individuals and neither are all scientists fifth Ray.

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Today, I will focus primarily on the first part: perceiving accurately. In my experience, the biggest obstacle to accurate perception is lack of detachment. It is a truism that who we are determines what we see, or put more colloquially “we see what we want to see.” And, unfortunately, this still true even if we this bear it in mind as we’re observing. Put another way, awareness is not sufficient to get us out of the box—we must first learn to be detached in all things.

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Humanity’s role is as a macrocosm to the microcosm of the lower kingdoms, and this is being recognised - consciously or unconsciously - by many today.  The current imbalances within the kingdoms of nature, as much as within our own mental and emotional bodies, are being acknowledged too. The exact points of balance and equilibrium shift constantly and depend on many factors such as environmental circumstances, an organism’s purpose within that environment, and others. The continuing disturbance and re-balancing of internal equilibrium is a part of a dynamic process of healthy adaptation  which is natural to living organisms, and in this, humanity plays a synthesising role.

This emphasis on the lower kingdoms links to today’s talk which our speaker, Eva Sater, will be presenting on “The Light that has always been” with particular reference to Light and the Plant Kingdom.